January 23rd, 2012
Last year I posted about how I think that you should go back through your old shots, prints, negatives, etc. And how you sometimes find things that jump out at you. You also find photos that can affect you in ways that you never thought that they would.

About 4 years ago, after I purchased my first DSLR (Nikon D1x), I embarked on a 366 project, I was going to take a self portrait each day for a year. And like many 366 projects, it was a failure. I didn’t push myself enough, and I eventually started taking shots that were uninspired and boring. And I quit. Going through a folder stashed away on a hard drive, I found this diptych I put together for day #39. And it really hit something deep inside of me. Not because it’s terribly creative, because it isn’t.
But because of what it says.
The 5×7 on the left is 16 year old me, the first self-portrait that I had ever taken back in 1993. I was a yearbook / school newspaper / darkroom geek who spent his junior and senior years in high school taking photos of everyone else living their awesome HS lives (it’s what a HS newspaper / yearbook photographer does). I got an assignment from my editor to take some portraits of a handful of seniors who had been nominated for some academic award or honor. And she wanted some studio-type shots, which I never had done before. I was somehow able to convince my photography teacher (who was quite against allowing his photography students to use the thousands of dollars of gear the school had purchased to allow photography students to learn the craft (!) Gear like Mamiya 645s and the latest Sony Hi8 digital camcorders (with full editing decks for cutting footage), and Novatron studio lights.
He let me setup a white seamless and one Novatron flash head in a 43” (I think) white umbrella. I didn’t have a meter. I never had used any flash outside of a Vivtar 283 or a Sunpak 544. I didn’t have any resources that I could use to give me pointers on how to shoot something like this. So in the middle of class one day, I setup the light and umbrella, loaded a roll of Tmax 400 in my Olympus Om-1, put a junky 135mm lens that I had and set it up on a tripod. I guessed the focus, and because I didn’t really know what I was doing with the lights, I guess they fired either full power or half power. I’m pretty sure I stopped the lens all the way down to F16. I don’t know what made me put the umbrella on a slight off axis angle from the lens, above camera right and angled down, I guess I had seen it done the last time that I had a school portrait done. I hooked up the PC cable to my camera, set the self-timer and ran to the posing stool I had setup. 10 seconds later, the shutter tripped, and my classmates were wondering what the hell I was taking a photo of myself for. Which was a pretty good question. I could have asked anyone if they wanted to sit in for a test. Still not sure on that one. Because the darkroom was like less than 10 feet away, I didn’t have to wait for the film to be processed, I went in developed the roll, and then later that day after the film dried, I made this print. One of the only prints that I treasure from my high school days, still have it.
Jump ahead almost 15 years exactly to the photo on the right. I was in week 6 of my 366 project, and I had started hunting for ideas to shoot. I came across the old print and shot this diptych. Yet it didn’t hit me at that moment of the lapse of time, the dreams that I had at 16, that had faded and died somewhere along that path of 15 years. Good times I had in the years that followed, as well as things that I wished I had done differently. All that jazz. Didn’t even cross my mind. I shot a bland photo of me, and then a photo of the 16 year old me on my desk, and posted it to my flickr site. It’s funny how time gives you clarity on things isn’t it?
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November 13th, 2011
Last year I said my personal goodbye to an American Icon; Kodak’s venerable slide film Kodachrome. Shot a roll of K64 and one of K200. For some reason, I passed over these four shots when I looked over my slides after they came back from Dwayne’s in Kansas. Don’t know why, I love the light and lines in these four shots. Also a reminder that I need to pull out my 20mm more often!
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November 11th, 2011

Guns – Dallas
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November 7th, 2011
I can’t believe I made it through 2 rolls shooting nothing but verticals, 6×7 looks good shot that way, don’t you think? Develop and scan by NCPS!









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November 6th, 2011
With Grant Meeks today for a little photowalk, I keep forgetting what a colorful part of Dallas it is….






Fuji 400h + Nikon F4 + 24 and 50mm lenses. Cheap Walgreen’s develop and scan.
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October 31st, 2011
One thing that every photographer should do, every now and then, is go back through your “rejects”, give photos that you initially passed over when you first glanced at that contact sheet, opened that folder of fresh scans from the lab, or downloaded that card from your latest shoot. They breakdown into one of three categories; frames that jump out and slap you in the face, those that you’re kind of “meh” about, and those that never will see the light of day again.
I went though some of the meh from when I first shot Ektar this summer, and I found three frames that I passed over the first time around, and I actually found some things that caught my eye the second time around!

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October 26th, 2011
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October 24th, 2011





Black and White images Kodak 400BNC – Bronica Gs-1
Color Fuji 160s – Yashica 124mat. Develop and Scan NCPS
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October 21st, 2011
In September I took a photowalk through the Stockyards, I posted the color shots, but I also took some Black and White photos with my holga:





Ilford Hp5, develop and scan by North Coast Photographic
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October 20th, 2011
Lately I’ve been thinking about what I want to do with my photography, where I want to go with it, but most importantly how do I stand out from the crowd? Interest in photography has just exploded over the past 5 to 6 years; so many people have picked up cameras and are doing their thing. It’s hard for an individual to be heard, especially if you want to make photography a career. The buzz word for that is to differentiate. Look around the web, there are thousands of photography blogs and websites that will teach you the nuts and bolts, the basics of the craft, then it’s up to you to do something. Say something, find your voice, your style. I promise this is going somewhere! These thoughts kind of tie into some photos I recently shot:

Upon one of my searches around the wormhole known as today’s internet, I somehow came across information on Futuro houses, Modernistic homes that were built in the late 60′s - early 70′s as a way to create a mass marketable home that could easily be built and placed on any terrain around the world. Then due to the gas shortages of the 70′s that made it difficult to manufacture the plastics that were used in the Futuro’s construction, the homes were taken off the market. Around 50 of them still exist worldwide…and one of those 50 just happened to be off of Hwy 276 in Rockwall.

It’s pretty amazing that the outer shell has stood up to the elements for all these years, but I’m using this as an example of differentiation, the designer that created the concept for this home was far out there from any other designer during that period. You have to wonder if not for the Oil Crisis, would more of these homes exist? Would we have whole neighborhoods of these?

But also I think what you could take from this is sometimes being different is just not enough, that when you’re way out there on the edge that it can become hard to sustain yourself, or maybe I’m just overthinking this whole thing just so I can post some photos of a UFO shaped house…

Bronica Gs-1 + Fuji 400H, develop and scan by the usual suspects…
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