Posts Tagged ‘Laidric Stevenson photography’

Dallas/Arlington Photodrive

Monday, April 25th, 2011

One thing about shooting so much film that I have yet to grasp….is getting organized on when I’m shooting what.  I shoot a roll and it might sit a couple of days, and then I send it off to RPL, and when I get the scans back…I have no idea when I shot what!  That’s one thing you take for granted with digital, you know when you shot what.  I know that these are two different days and two different films!

Dallas (NPH)

I love that old Hotel sign…I’m just sorry I didn’t get over to shoot the rest of the hotel before it was torn down…the sign is all that’s left and probably won’t be up for too much longer.

And then on another day, I found myself at the Arlington Farmer’s Market building, with a roll of Fuji NPZ…

Tuesday Black and White

Tuesday, April 19th, 2011

 

 

Tonya in Deep Ellum

Thursday, March 31st, 2011

I recently met up and had a fantastic shoot with Tonya, she has a natural beauty about her and is an absolute pleasure to work with!  She’s just starting out on her book, so I suggested some casual light, lifestyle-ish images!  We met up at one of my favorite places to hang out and to shoot: Deep Ellum!  And we had a great overcast day which to shoot; a photographer’s dream!  Colors are just so delicately beautiful and soft, the absolute best light to shoot some casual images.  Just had to break out the Bronica on this one!

Love, love, love these two…especially that top one.  One of the best feelings as a photographer is when you frame up a shot, snap the shutter…and just know that you nailed a great shot.

The only thing that can make a softly lit over cast day like 100 times better, is when a wind blows up and adds that little extra “touch” to a shot.  That classic windblown hair shot…

I look forward to shooting with Tonya again really soon!

Recent Film images

Wednesday, March 23rd, 2011

Bronica Gs-1 and Fuji 160s (I think)

Kodachrome…may you RIP

Sunday, January 9th, 2011

Kodachrome.  That name stirs up many emotions.  Floods the mind with many images.  Countless of them that you’ve probably seen at some time and point in your life.  Time, Life, National Geographic, all had photographers who shot with the iconic (I don’t even think that that word does justice to the emulsion) Kodak slide film.  Paul Simon sang “Please don’t take my Kodachrome away”…but Kodak did, no longer producing the film or the infamously toxic chemical process used to develop it K-14.

A little over 5 years ago, I found myself in a closing Ritz camera store in the Grapevine Mills mall.  They were trying to unload everything that they could, including rolls of expired film of all kinds.  Black and white, Fuji color, Kodak color print, different slide films, 110 (when’s the last time you’ve seen 110 film??).   Digging through the bin, I didn’t see anything that caught my eye….until I saw a couple of boxes of K64, expiration 2003.  I grabbed them (there were actually alot more than the two I picked up…why didn’t I buy more rolls is beyond me), and I was off.  I knew that it was hard to get Kodachrome processed then (I believe that Dwayne’s and one other place still processed K-14 at that time), and I knew that I would have to make the images count, that I had to use them for something special (so I thought), so I brought them home and threw them in the freezer, to be thawed out for that imaginary occasion in the unknown future.

Those rolls sat unused for 5 years.

When the announcement came from Kodak that they were ending the 75 year production run of the film, and support of the K-14 process, I knew that I couldn’t wait forever, that I had to shoot something with the film.  The imaginary special occasion was the experience of using this film, and being one of the last groups of people to have Dwayne’s process it (my film made it there around Dec 10th).  I shot one roll of K64 (the other roll I gave to Grant Meeks for him to have fun shooting some Kodachrome) and a roll of K200 that I found laying around(I have no idea when or where I bought it!).  I decided to shoot the K64 as an exercise in seeing and shooting with limitations; one body (My trusty and war torn Nikon F3), one lens (one of my favorite Nikkors, the 20 2.8 ais – really a limitation in seeing, shooting with only an ultrawide angle lens).

***The First and Last frame***

Josh Hurt Film images

Wednesday, December 29th, 2010

First half shoot with the Bronny…love it, the detail, the color, here’s a couple of frames that I really liked…

Creative Light for life….

Saturday, November 6th, 2010

As the end of 2010 grows nearer each day, I’m starting to reflect over this year’s accomplishments and failures (which there are plenty of both), and I feel that I’m a little bit closer to my goal, not as much as I would like to be, but more than I was in 2009.  And a lot more than I was in 2008.  Some of the things that I’ve learned this year have started to shape the path that I’ll forge ahead on next year, and each year after that.

For one, I’m not as sure that I want to continue doing weddings, the past couple of years, I thought that that would be an area that I really wanted to make a major focus in my business.  This year I really experienced what I would like to refer to as “wedding photographer lite”, I second shot 5 weddings for a studio.  And while they were fun, they were physically demanding on me, and this was just doing it part time, not as a full time gig.  I couldn’t imagine doing 15, 20, or 25 weddings.  And I’m glad I found out about it the right way, assisting someone else.  Who knows, I might try and work my way back in it again, but as of right now, I’m shifting my focus to other areas.

I’m seeing a future with film slowly creeping its way back into my life!  I’ve run across alot of film shooters who are 100% film and I’m loving their work.  I want to get to a point where I’m 60-40 Film to digital.  Digital has it’s place, but I don’t think that anyone can deny the beauty of film, and now is the time to stock up on film cameras.  Almost all the cameras I dreamed of one day owning back when I was in high school and college are available for pennies on the dollar!  Well….all except for Hasselblads.  And it seems that Ebay is just full of people selling lots of film these days…not just like “3 rolls of Fuji 400H”, it’s more like 10 pro-packs of Fuji 400H.  And I am looking forward to relearning, unlearning, and learning to be a film photographer again!

And I’ve found what I believe to be my light modifier company for life!  Creative Light, which is a division of the MAC corporation (which has little known companies such as Mamiya, Profoto, Pocketwizard, Sekonic).  Light modifiers for anyone living the Strobist hot shoe/white lighting / alien bee lighting lifestyle are pretty important.  We’re all getting by on modest means so what we shoot with has to be dependable as well as affordable.   Which Creative Light is both.  I only have a few of their products (two white/silver reflectors, one small softbox and a 3ft Octobox), and then I have speedrings for my AB1600 and then a Speedlight adaptor, which I absolutely love shooting with.  And Creative Light’s customer service is nothing short of awesome.  Twice I’ve emailed them for replacement parts for this ring:

I lost the cold shoe that attaches to it.  Emailed Creative Light.  “What’s your address Mr. Stevenson?” and a couple of days later, brand new shoe.

I stripped the screw that attaches the ring to the lightstands.  Emailed Creative Light.  Couple of days later, I get this in the mail:

A little thing to some, but this type of service is the kind of thing that builds loyalty.  Some companies would have charged a small amount for the replacement part, or if they didn’t charge for the part, they would have charged for the shipping.

Hmmm…I see a couple of more speedrings, and striplights, and grids in my not to distant future!

More Film Love…Square Style!

Friday, October 29th, 2010

Some film snaps…

Friday, October 29th, 2010

Not with the Bronica…not yet

Let’s get to some Serious Film Shootin’!

Wednesday, October 27th, 2010

Thankfully due to some side gigs that brought in some pocket change, I was able to step up from the Twin-lens medium format cameras that I had been shooting with.  Basically my choices came down to either Mamiya or Bronica, and either 6×6 or 6×7.  I decided to branch out from my love for the square format, and step up to the “Big Negative” the 6×7.  But I still hadn’t chosen between Mamiya or Bronica.  I had been leaning toward Bronica for a while, I liked the styling and lines of the camera.  I have a Mamiya C330, so I was familiar with the solid metal build of Mamiya cameras…and the weight.  This ultimately led me to go with the Bronica GS-1.  And of course I went to my first and sometimes my only place for used camera gear:  KEH!  I found this outfit, the body, eye level prism, standard 100mm lens, a 120 back, and the Speedgrip all for a nice price.  You really have to love how digital basically bottomed out film camera prices (most film camera prices – you still have to shell out some cash for a Hassie…), I’m anxious to run some film through it!

With the addition of the Speedgrip, it almost handles like a huge 35mm.  Even vertical handheld shots seem doable.